Steamboat Round the Bend (1935)
Director: John Ford
Starring: Will Rogers, Anne Shirley
It may not be one of the best films by director John
Ford, but it did star perhaps one of
America’s most well know icons, Will Rogers, as we are presented an adventure
down the Mississippi in Steamboat Round
the Bend. Ford, who would be best known for his grand westerns among his
other directorial ventures, takes his time to present the down home stylings of
humorist and social commentator, as well as all around performer, Will Rogers.
It’s a sleepy film with little going for it as in the plot, but it supplies one
of the last appearances of Rogers on film.
Steamboat Round the
Bend is comedy/drama of a humble owner if the steamboat and his attempts to
save his nephew from a wrongful sentencing for murder, along the way defeating
his rival in a costly boat race down river. Doctor John Pearly (Rogers) uses
all his earnings to partly own and operate a salvaged steamboat with his
nephew, Duke (John McGuire). Duke, however surprises his uncle with news of a
girl in his life named Fleety Belle (Anne Shirley), and word that Duke believes
he killed a man protecting her. John convinces Duke to turn himself in, but is
surprised to discover he is sentenced to death. John, with the aid of Fleety
Belle, must race down river to find a preacher that witnessed Duke’s
altercation as self-defense, then has to quickly travel back. Along the way
Pearly is forced to enter a boat race that blocks the river pathway,
challenging John’s rival Captain Eli in a winner take all bet in who will win.
In the heated race John barely wins just in time to rescue his nephew with his
key witness in tow.
The picture is peppered with moments of comedy, few moments
of drama, and a less than edge-of-your-seat boat race that holds the fate of
the boat and Duke in its hands. Overall the picture is rather weak and supplies
a few moments were Rogers is able to ramble about this and that, a trait he is
most known for. Even with the direction of the famed John Ford, who up to this
point had made successful films such as Arrowsmith,
The Lost Patrol, and his sleeper hit The Informer, had yet to become the huge
western director that would best line the history of his career, making this
picture a lazy affair that deserves to be a bit overlooked. For a Will Rogers
picture, it has few great moments of Rogers, for who is the very reason the
picture was made; a sad fact since it was one of his last motion pictures he
would appear in.
Will Rogers was a Mark Twain-like figure in America for many
years as his voice and comedy styling, driven primarily by the current events
of the time, much beloved by many. With his success in motion pictures, he had
become one of the highest paid and most recognizable actors in the world. Sadly
Rogers would pass away a month before the release of Steamboat Round the Bend, making it one of the last times audiences
saw something new from the beloved Rogers. A story of Steamboat Round the Bend was bought by Rogers himself in 1933
leading to this production and originally had a concluding shot of Rogers, as
John, waving goodbye to camera, towards his rival Captain Eli. The studio
though that perhaps with his recent death the audience would take the waving as
his final goodbye and cause many to weep, thus removing the shot.
The film featured a young actress named Anne Shirley. Though
Shirley was a new name to Hollywood, she was a veteran of the screen. Born Dawn
O’Day, she was a child actress that changed her name after staring in 1934’s Anne of Green Gables, taking the name of
the very character she portrayed in the picture. This would be a new start for
the actress. Though this was a minor picture in her career, starring alongside
of an American icon surely helped, as she would continue with a healthy career.
Fellow humorist and writer Irwin S. Cobb joins the cast as
ironically Rogers rival Captain Eli. Author of many stories that would be
adapted to the screen, Cobb would join his counterpart humorist in Rogers in
one of only a few pictures he would actually appear in his career. Cobb even
hosted the Academy Awards in 1935, before the picture was released, therefore
he was far from being an unknown name in the business.
Of the remaining cast the most recognizable would have been
Eugene Pallette, a usual supporting character actor, playing the role of the
sheriff. His large, round shape and deep, raspy voice made his the usual
authority figure in the pictures he appeared, of which many times he is rather
likable
As John Ford liked to do, he would find a role for his older
brother Francis. Here he plays a silly comedic relief character of Efe, a
drunkard whose physical comedy parlays the wordy humor of Rogers. Also featured
is an equally silly, a politically incorrect stereotyped character actor of
Stepin Fetchit, an African American actor that used the lazy, uneducated black
character-type to his advantage in creating a career. A good friend of Rogers,
Fetchit plays Jonah, a backwoods black man that does anything for work, despite
his slow nature, gaining his name after the Bible character he has to portray
in a mannequin museum of Doctor John Pearly.
When looking back on the feature you can gain a good look on
the surrounding times of humorists in the early part of the 20th
century and the society. The picture itself is rather a poor story with as one
of Ford’s lesser cinematic attempts. The picture is feels very contained in a
studio and is vastly different in scope from the usual Ford creations. But with
all that aside the film is really about Ford’s friend Will Rogers as one of his
last pictures he was part of and released shortly after his untimely death in a
plane crash. America lost a treasure, but he lives on in his works, including
this one about doing what is right and following your heart and dreams.
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