Plainsman, The (1936)
Director: Cecil B. DeMille
Starring: Gary Cooper, Jean Arthur
A country just over 160 years old, Americans seemed to lack
a certain mythology that existed in the European lands of their ancestors. Here
in The Plainsman Cecil B. DeMille
supplies an American mythology of the forging of the western frontier. Taking
place directly after the Civil War when Reconstruction allowed Americans to discover
its identity after tragedy DeMille weaves together tales of real historical
figures with a large amount of fiction to create a mythos of the people that
aided in creation of the country as it would be in the final decades of the 19th
century.
The Plainsman is a
western telling stories of frontier legends “Wild” Bill Hickok, Calamity Jane,
and “Buffalo” Bill Cody as they try to tame the wild west, including run ins
with Indians and other rough-necked men that peppers the frontiers. Fresh off
serving in the Union Army during the Civil War Bill Cody (Gary Cooper), the
famed frontier scout makes his way back west where he runs into old friends
Bill Cody (James Ellison) and Calamity Jane (Jean Arthur). Cody, now a married
man trying to settle down, and Jane, looking to rekindle a romance with Hickok,
have their plans of conquering the frontier put on hold as Indians begins
killing white men at an alarming rate with rifles sold to them by gun makers filling
the whole of their lost after the end of the war. Hickok, Jane, and Cody have
their run ins with the Injuns, but Hickok learns of the gun suppliers, led by
John Lattimer (Charles Bickford), killing a handful of men sent to murder him,
effectively making Hickok a fugitive. Learning of the slaughter of General
Custer (John Miljan) at Little Bighorn, Hickok stops and kills Lattimer, but is
done in my his henchmen, much to the grief of Calamity Jane.
Taking a broad look at the picture, the film is a descent
western as a standalone film. The picture sets out to bring to life the romance
and adventure of the old west in its infancy shortly after the Civil War as it
was in the minds of thrill loving audiences of the 1930s. Keeping in mind that
the time frame being dealt with in the film was a mere 70 years prior to the
release to the picture, the conquering of the western frontier, battles with
savage Indians, and the names and events covered in the feature was still fresh
in American history’s minds. Of course with motion pictures this feeling of
adventure, excitement, and romance of the past could now be dramatized on
screen and bring the thrills to audiences around the country, and that was
precisely what Cecil B. DeMille set out to do.
Now in a more detailed aspect of looking at the film, the
story is a complete mess when dealing with actual events, bastardizing American
history all together. The picture does recreate moments that children had
learned about in history books, most notably Custer’s last stand and the
existence of these three main characters, but that is where reality and
accuracy exits as the picture is highly fictionalized. The film tries to pull
you in with history and hopes you stay for the classic western aspects and the
complicated romance between Calamity Jane and Bill Hickok.
Details and history aside, the motion picture is yet another
step in director Cecil B. DeMille’s efforts to bring a new success to the
screen. A great director of the silent era, DeMille found achievement in the
time after the advent of sound primarily with the epic sized picture. With a
handful of failures in classic dramas, DeMille used his power in Hollywood to
find large budgets to produce large scaled films; films that had scope that
people would talk about and could help but go see. Pictures like The Sign of the Cross, Cleopatra, and The Crusades dealt with large historica,l or biblical events that
people yearned to see come to life, and DeMille provided. That is where he
found his niche and in the The Plainsman
he takes the names and events of the Wild West and presents them in way he
seemed only to provide.
Stars Gary Cooper and Jean Arthur would not necessarily be the
first people to come to mind in western roles, but for their time in glamorous
Hollywood they seemed to fit the bill. Gary Cooper was a tall and handsome
actor who could be serious, but carry a soft side that he seemed to hide
underneath his stern exterior. Though not essentially an imposing man he was a
good horseman, which here included him performing his own stunts on horseback. (notably
a scene where he rode between two horses)This in some way would begin him on a
track to becoming a star in the world of the westerns as Cooper would star in
numerous popular films of the genre for decades.
Jean Arthur, on the other hand, would be better known for
her work as quirkier girls. Her movie star looks, and bright blonde hair does
not say frontiers woman, but she desperately tries to make a woman of tough
experiences and wilderness living come to the screen despite her very soft,
smooth skin and perfectly manicured hair. She does not sell the character as
the rough person Calamity Jane actually was, but makes the part one of a
helpless romantic and a woman that is weak for love with Hickok when in danger.
For the 1930s she could fly through in this kind of a performance as Jane, but
time would not be kind to legacy of this part. Arthur did love playing the
role, stating it was her favorite part to play to date at the time, though it
would have been interesting to see the first choice of DeMillein the role, Mae
West, and what she would have provided for the character.
Though in a major role James Ellison as Buffalo Bill Cody
comes off as too squeaky clean and cropped, like a movie star, to be a
frontiersman, much like Jean Arthur, but here was a famous frontiersman known
for his taming of the west with an unnatural clean look. This was a big opportunity
for the 26 year old, six foot three inch actor, but as it would be he would not
pan out as a major star. His overly polished look and acting style would not
make him stand out as a star in the film, but he would land many roles in
B-movie westerns for years to come, after all he was a tall, handsome man that
could remember his lines and say them clearly. His best remembered work was
that of Hopalong Cassidy’s sidekick in a series for Paramount.
So the American frontier was nothing like this picture and
the characters portrayed as historical people were far from reality, The Plainsman was a product of a
filmmaker and his time. Even the opening sequence of Abraham Lincoln and his
words to open the west followed by foreshadowing of his death while he left to
visit Ford’s Theater can be seen as dreadfully produced cliché scenes from a
contemporary point of view, audiences of the time would enjoy it enough to go
see it on a casual evening. If there is any take away from the picture it was a
strong introduction of Cooper into the genre of the western, a field he would
be a major figure in for the remainder of his career.
Comments
Post a Comment