Mr. and Mrs. Smith (1941)
Director: Alfred Hitchcock
Starring: Carole Lombard, Robert Montgomery
Director Alfred Hitchcock would come to be known as the king of motion
picture suspense, but few know that he had once produced a screwball comedy. It’s
true. Hitchcock went for straight comedy (if that is a real term) in his 1941
motion picture Mr. and Mrs. Smith. It
is a charming movie said to be made out of the director’s admiration and
wanting to work with the film’s star, Carole Lombard, creating a picture vastly
different from what would be considered normal for the filmmaker who would be
best known for Psycho, North by Northwest, and Rear Window. In the end Hitchcock would
come to dislike his work here, but as a humble viewer it can be seen as a very
entertaining movie.
Mr. and Mrs. Smith is a
screwball comedy about a husband and wife that discover their marriage was
never legal and their marital (or non-marital, rather) troubles that ensue when
the husband does not resolve the predicament immediately. Ann (Carole Lombard) and
David Smith (Robert Montgomery) are a married couple who are prone to having
marital quarrels that last days at a time. When Ann presents a hypothetical
question to David of if, knowing what he knows now, he would marry her all over
again? Despite his being very happy and comfortable with their marriage he
presents a “no,” noting the enjoyment of certain aspects of bachelorhood, but
still wanting to share his relationship with Ann outside of the realm of
matrimony, hypothetically speaking.
Well irony pokes out its dirty nose as a jurisdiction error with their
marriage license proves their marriage was never validated. Ann becomes greatly
angered when David fails to bring the issue up and immediately fix the
situation, kicking him out of their house. David attempts to prove his love for
Ann through logic while Ann finds her romantic needs unmet, attempting to cut
ties with him. The comedy plays out as David stalks Ann, discovering she is romantically
seeing his law firm partner Jefferson Custer (Gene Raymond), much to David’s
chagrin. In an effort to play on her emotions, David appears on a getaway of
Ann and Jeff’s to fake an illness, leading Ann to instinctively take care of
him. Despite Ann discovering David’s ruse and becoming angry, Jeff recognizes
Ann and David’s love for each other leaving them alone. Ann at first is upset,
but eventually gives in to the whims of David as the camera fades to the
suggestion of the two making up.
If one was watch Mr. and Mrs.
Smith without the knowledge of it being directed by Hitchcock he/she would
be hard-pressed pinpoint the feature was a product of master of suspense.
Although there are many fine moments of ingenious camerawork that adds to the
telling of the story as well of moments of amusing revelation that mimic the creative mind of the
director’s work from his more famous works.
Mr. and Mrs. Smith is playful
and amusing with plot that can only happen in screwball movies. At times the
story hits bumps and snags that make the pacing slow down to a crawl. The
laughs never appear in groups or produce much more than a hardy chuckle, which
would make one think it is not very funny comedy, however it has a great deal
of charm and upon concluding the film gives one a sense over overall satisfaction
and enjoyment of the picture.
What made Alfred Hitchcock want to produce a film like Mr. and Mrs. Smith? Well, Hitchcock was
very fond of Carole Lombard, who at this time was married to one of Hollywood’s
all-time leading men, Clark Gable. Lombard was famously popular for her work in
screwball comedies and when Hitchcock was looking for a chance to work with the
blond (an aspect Hitchcock loved in his women) actress this film became his
opportunity.
Lombard was the one that found the story and brought it to RKO, but unlike
most of Hitchcock’s film career, he had very little input on the script.
Watching this feature it appears Hitchcock simply films the script as it was
printed, making little to no changes to match his personal style. Hitchcock was
notorious to sticking to the script, but usually he had great influence over
his screenwriters and made drastic script changes, but that was not the case
here. The plot was lighthearted and that is how Alfred Hitchcock played the
story while filming.
Lombard’s co-star Robert Montgomery performs wonderfully opposite of
the lovely actress. Montgomery, the former President of the Screen Actors Guild,
was in a state of the returning to prominence with audiences with a series of
role in comedies in 1941 while attempting to search for dramatic work. His
lighthearted performance as the husband was of a man that was all too honest
to his wife, but truly and deeply loves her. His performance comes across well
as both sympathetic and funny, a perfect contrast from Lombard’s all too
serious wife character in Ann.
Playing essentially the “other man” role is Gene Raymond who
fundamentally was known for playing many of these characters repeatedly over
his screen career. His performance as Jeff, David’s partner and romantic rival
for Ann, is straight-laced, playing the contrast to Montgomery. His performance
is not memorable, but he provides to the perfect springboard for the comedic
situations upon which David and Ann to bounce off of during their quarrels.
In what Mr. and Mrs. Smith
lacked of Hitchcock-ian style is made up by the creativity of the director. His
sense of suspenseful timing transfers to the timing of his comedy. Hitchcock
was known for using comedy in his many films, but never devoting an entire
motion picture to the subject of comedy. His meticulous planning of every shot
pays off with wonderful timing, such as the quiet scene where Ann eventually bursts
into being upset at David, revealing her knowledge of the marriage license
problem and David playfully avoiding it. There are also many cases where
Hitchcock’s camera roams around the sets during various scenes that remind you
of the filmmaker’s style. A keen viewer can note these moments that evoke the
work of the master filmmaker behind the camera.
The film would be a financial success for RKO, but proved to be a film
Hitchcock would later personally dislike in his career. Hitchcock would return
to the usual suspenseful films that would further even more greatly his career
in America, as at this time in 1941he was still a fresh face to Hollywood after
a long career in England. For Carole Lombard this was sadly the last film of
hers she saw released as she passed away in a tragic plane crash while traveling on a war bond rally in 1942. Her final picture, To Be or Not to Be, would premier two months after her death.
Mr. and Mrs. Smith is not the
type of screwball comedy with wall to wall jokes or had various moments that
called for uproarious laughter, but rather shared a charming wit, an overall
strong production value, and superb acting. This if one of the forgotten
Hitchcock American films, yet it is perhaps the most American style picture in
his résumé.. Mr. and Mrs. Smith
remains a very charming picture that is very enjoyable to watch even with its
dull moments, because it still shows signs of being made by a man who would
prove to be one of the best filmmakers of his era in Alfred Hitchcock.
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