His Girl Friday (1940)
Director: Howard Hawks
Starring: Cary Grant, Rosalind Russell
Honors:
When director Howard Hawkes looked to produce an adaptation of “The
Front Page” in 1939 he had a creative epiphany that revolution the dynamic of
the story by turning one of the main male characters into a woman, thus was
born the concept of what would become His
Girl Friday, one of the best acclaimed comedies in American cinema. Based
on the successful play, which already had a prosperous film variation from 1931
by Lewis Milestone, this verbally heavy, fast-paced comedy starring Cary Grant
and Rosalind Russell is packed with brilliant creative writing and comedic
timing.
Walter wants Hildy to do one last story. |
His Girl Friday is a
screwball comedy of a fast talking newspaper editor convincing his ex-wife, a
former top reporter, to write one more hugely juicy story that falls right into
their laps before she leaves town to marry another man. Walter Burns (Cary
Grant) is so wrapped up in being the editor of “the Morning Post” that he
neglects and loses his wife Hildy (Rosalind Russell), who also happens to be
the most gifted writer for the paper as well. Determined to leave the newspaper
business for good to become a housewife to an insurance man from upstate New
York named Bruce (Ralph Bellamy), Hildy is lured in by Walter to report on the
crime that has all the city talking. Hildy’s reporting skills allows her to find
the biggest scoops on the story about Earl William (John Qualen), the man
convicted for murder. Ultimately Hildy and Walter would break the news on the
biggest scandal that convicts the city’s mayor and sheriff for attempting to
stop the governor’s reprieve Earl Williams for their own political gain. The
whole time they are reporting Walter hinders Bruce’s various attempts to get
Hildy to leave town with him, and in the process of breaking the biggest news
in town Hildy and Walter rekindle their love for each other, deciding to
remarry.
The film is a fast-paced, word-heavy, intellectual comedy that pokes
fun at just about everything from sexism to politics, from marriage duties to
Hitler. It’s a picture that requires one to give it your full attention as it
moves so fast and frantic with the dialogue you might missed well-placed jokes.
Much like the 1931 Lewis Milestone picture, the newsroom action of the feature
is filled with words that fly a mile a minute with sharp wit and important
nuggets of information to the plot. In My
Girl Friday Howard Hawks makes the characters almost bounce off the walls,
as well as off each other as the action of dialogue come furiously from all
over. It makes for a delightfully humorous picture with wittiness that can
stand the test of time.
Walter attempts to get between his ex-wife and her fiance. |
It was director Howard Hawks that envisioned the idea of transforming
the character of Hildy Johnson from the originally intended male role to the
female we see in the feature. This notion would come to his creative mind when
he had his secretary feeding lines to actors in auditions for the Walter Burns
character. Hawks loved the delivery by a female voice so much that he decided
to change the Hildy character, asking for a rewrite that made her the divorced
wife of Walter, while keeping the idea that Hildy was attempting to marry and
move away from the newspaper business.
Cary Grant was an early choice to play Walter, as he had become a
recognized star of such screwball comedies in recent years. It was the role of
Hildy that became the problem in casting. Ultimately the part was played very
well by Rosalind Russell as the quick witted, fast-talking reporter that nearly
leaves the Morning Post. However Rosalind would discover that she was far from
the first choice Hawks wanted in the role. Names of actresses linked to the Hildy
character that turned down the part was a near who’s-who of Hollywood
actresses, including Katharine Hepburn, Irene Dunne, Jean Arthur, Ginger
Rogers, and Claudette Colbert. With this knowledge Russell had her run-ins with
both her director and her co-star. Russell felt she was treated coldly by
Howard Hawks, confronting him with the notion that he was stuck with her and
should make the best of it. Hawks encouraged adlibbing in his films to add
character to the script and Russell did so very often to make herself stand out
from Cary Grant’s character, much to the chagrin of Grant. These adlibs led to Grant
stating coldly to Russell with regularity “What have you got today?”
Grant to would take his opportunities with adlibbing leading to one
line as an Easter egg of an inside joke. The line appears in a scene where he
refers to a man that crossed him in the past. The person he mentions is Archie
Leach, Cary Grant’s real name. Grant’s adlibbing also leads to the joke of
Bruce being described by Walter as a guy that looks like the actor Ralph
Bellamy, that actor actually playing Bruce, which made audiences laugh.
Along with Ralph Bellamy, who plays the supporting waning love interest
of Hildy, the supporting cast of character actors was filled with many
characters. Gene Lockhart plays the bumbling and crocked sheriff. Former
vaudevillian Clarence Kolb portrayed the mayor using the execution as a way for
him to gain interest in re-election. John Qualen plays the character in
question throughout the film, Earl Williams, the murderer set for execution who
is the subject of the major story Hildy is working on.
Hildy is hooked and cannot get away from reporting. |
Understandably there can be confusion for contemporary audiences
concerning the title of the picture. His
Girl Friday has nothing to do with the name of the girl or the day of the week
in which the movie takes place. “Girl Friday” is a reference to Robinson
Crusoe. Crusoe’s somewhat man servant is named Friday, and the term “guy
Friday” was used to refer to a man that does another’s bidding, therefore “girl
Friday,” as seen here in the film, refers to Hildy somehow being the girl who, through
Walter’s manipulation, does his bidding.
His Girl Friday would a
well-received comedy of its time and the many decades that followed. The film
would be adapted back into a stage play with Hildy being a woman for the
humorous sexual friction between the two main characters as Hawks
revolutionized the already popular story. Despite the feature falling into
public domain in 1968 due to a lapse in filing for copyright, the film stills
stands as one of the highest praised comedies in all American cinema, elected
to the National Film Registry in 1993 and being named to the AFI’s list of the
top comedies of all time. The pictures still brings laughs with its quick humor
even for contemporary audiences and remains a very fine piece of comedy to be
enjoyed for decades to come.
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