City, The (1939)
Directors: Ralph Steiner, Willard Van Dyke
Starring: Morris Carnovsky
Honors:
An exhibit of the 1939 World Fair in New York City shares a
“documentary” that was most likely the most seen documentary motion picture up
to that point in cinema history. The City,
for a lake of a better term, is an artistic documentary that presents modern
living conditions in select cities in America, highlighting the negatives and introduces
the idea of improved planned communities. It is a drably centric picture with
marvelous editing that is seen as one of the finest documentaries of the early
part of the twentieth century.
The City is a
commissioned documentary motion pictured used as a promotional piece and a
glorified advertisement for what a select few city planners envisioned life
could be like in America if citizens put their efforts together to make a
conscious effort to create better communities. The film introduces the idea of
pastoral living of the past, where people lived off the land and in harmony
with what they cultivate. This evolves quickly to the world of a factory town,
where people work in dirty conditions and live in the smoke of the ever running
plants. Additionally displayed is the congestion of large cities like New York
City, where children play in the dirty street, both physical pollution and
noise pollution fill everyday living, and harmony of existence is replaced by
the rushed, mechanized world of the city that never sleeps. All this leads to
the idea that people need to get back to living in a peaceful place, where
work, pleasure, and leisure interact in a harmony that is peaceful, relaxing,
and safe, using the example of a Greenbelt, MD as a planned Green city of
future living. The film leaves you with a question of where you would rather
want to raise your children, either in the dirty, dangerous big city or one of
the peaceful communities.
The picture seems very much a mix of an infomercial and a
type of utopian propaganda. That is no mistake as the motion picture was commissioned
by the American pavilion at the New York World’s Fair to manifest the idea of
“City of Tomorrow,” which was the theme of the 1939 fair. Originally the
pavilion planned for a model community, a mini version of these “Green” cities,
but due to cost and planning constraints was scrapped, and this film was
specially made instead.
Hired were two directors Ralph Steiner and Willard Van Dyke,
photographers by trade, but both with work in artistic films as well. The
cinematography can best be described as stock footage like, recording montage
images of cities, highlighting everyday situations with the ugliness of street
and air pollution. At times there are awkward angles, a trade of many artistic
photographers, but what makes the imagery dramatic is the style it is edited, fast
paced forms of smash cuts and hurried imagery all meant to give the feeling of being
out of control in the scenes of city life.
To dramatize the images were the works of composer Aaron
Copland and narration of Morris Carnovsky. Carnovsky was a New York stage actor
who was beginning to dabble in movie roles. Here in The City his voice adds a feeling of hurried stress. All visuals in
the picture were without audio, so for the narration it was important to have a
singular voice that translated the message shared by the filmmakers.
Carnovsky’s performance can be likened to that of US propaganda films of World
War II just a couple of years later. Aaron Copland was a well travels composer
and The City was his “in” for work in
the motion picture buisness. His dramatic scores would be rather well received
especially here in this documentary, but Copland’s future in Hollywood was
would not make for happy memories for him as he was a serious music scholar.
The film was featured in the Science and Education Building
at the fair and would be a fine example of Depression Era documentation for
America. By this time the Depression was a full decade old and not as great as
it was earlier in the 1930s, but The City
encapsulated the idea of survival for the working class of America and those
just “getting by.” As an exhibit that played for two years The City would have been ran for many audiences, playing to
hundreds of thousands, if not millions of guests, preaching the word of what
can be. This would make The City
possibly the most viewed documentary in the history of cinema being that most
documentaries played only a short time in only a handful of theaters in select
cities through its lifetime.
You can liken The City
and its energy in filmmaking to that of Leni Riefenstahl’s work for Nazi
Germany. It was quick and powerful, meant to stir emotions from within
audiences to win over their minds. The drawback was that as the film exhibits
the city of Greenbelt, MD, a small planned community made to look like a
perfect world of what would become suburban living in America, the picture
becomes less interesting. This might have been on purpose by the filmmakers as
they were not excited by the idea of selling a product like a planned
community, therefore there was not as much heart in the editing as there was in
the scenes featuring New York or the smoke filled Pittsburgh, PA.
The World of Tomorrow was the Fair's theme. |
Though The City
played in The World’s Fair, the world would not be even near ready to respond
to the humble documentary. As 1939 carried on Europe would fall into war.
Countries with pavilions at the fair pulled their exhibits through the escalating
year and by 1940 the fair was a skeleton of its intended image as it came to an
end. The film itself would be hailed as a mastery of the art of filmmaking at
its time, manifesting what filmmakers could do with the medium with full
understand of its power. Unfortunately its timing hindered it from making a
cultural impact of any kind. Decades later the Library would elect it for
preservation naming it to the National Film Registry in 1998 as a culturally
important piece of recorded history in America.
The City is a true
time capsule of a motion picture that is interesting to study for images it
provides from that time in history. Greenbelt and other cities like built of
that same model would not pan out, sitting primarily as relics of the past as
normal city growth took over their once vast, open land surrounding them. Now The City sits as a memory of what some
felt about what Americans should have done, that is before World War II changed
everything.
We found an original film reel for the movie “The City” in perfect condition. Do you know what something like this would be worth? Thanks for your time.
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